St. Cecilia, her story is an extraordinary one of faithulness and commitment. Some would have you believe it was all “legend”, but the discovery of her incorrupt body in 1599 would bear otherwise. It seems to me the Lord is encouraging us to believe the witness of this courageous virgin martyr.

In St. Cecilia’s in Rome,  I had one of the most peaceful and prayerful experiences while on pilgrimage to the “City of the Saints”.

It is said that Saint Cecilia was born of a patrician family in Rome and raised as a Christian. She wore a coarse horsehair garment beneath her clothes of rank, fasted, and vowed herself to God.

Against her will she was married by her father to a young, pagan patrician named Valerian. While everyone sang and danced at their wedding, Cecilia sat apart, saying only the Psalms. Valerian turned out to be a man of great understanding. On their wedding night, she told Valerian, “I have an angel of God watching over me. If you touch me in the way of marriage, he will be angry and you will suffer. But if you respect my maidenhood, he will love you as he loves me.”

Valerian replied, “Show me this angel.” She told him that if he believed in the living and one true God and was baptized, he would see the angel. Thus, she persuaded Valerian to respect her vow of virginity.

He was impressed and attracted by his wife’s Christian graces, and so Valerian was baptized by Pope Saint Urban (which would be c. 222-230). When he returned to Cecilia, he found her standing by the side of an angel as she promised. The angel told him: “I have a crown of flowers for each of you. They have been sent from paradise as a sign of the life you are both to lead. If you are faithful to God, He will reward you with the everlasting perfumes of heaven.”

The angel then crowned Cecilia with roses, and Valerian with a wreath of lilies. The delightful fragrance of the flowers filled the whole house. At this point Valerian’s brother, Tiburtius, appeared. He, too, was offered salvation if he would renounce false gods. Cecilia converted him, and he was baptized.

From that time the two young men dedicated themselves to good works. Because of their ardor in burying the bodies of martyred Christians, they were arrested. The prefect Almachius told them that if they would sacrifice to the gods, they could go free. They refused, and Valerian rejoiced when he was handed over to be scourged.

The prefect wanted to give them another chance, but his assessor warned him that they would simply use the interim to give away their possessions so that they couldn’t be confiscated. They were beheaded in Pagus Triopius, four miles from Rome. With them was an officer named Maximus, who had declared himself a Christian after witnessing their fortitude.

Cecilia buried the three and then decided to turn her home into a place of worship. Her religion was discovered and she herself asked to refute her faith. She converted those who were sent to convince her to sacrifice to the gods. When Pope Urban visited her at home, he baptized over 400 people.

In court, Almachius debated with her for some time. She was sentenced to be suffocated to death in the bathroom of her own house. The furnace was fed seven times its normal amount of fuel, but the steam and heat failed to stifle her. A soldier sent to behead her struck at her neck three times, and she was left dying on the floor. She lingered for three days, during which time the Christians thronged to her side, and she formally made over her house to Urban and committed her household to his care.

She was buried next to the papal crypt in the catacombs of Saint Callixtus. In 817, Pope Saint Paschal I discovered her grave, which had been concealed from the Lombard invader Aistulf in 756, and translated her body to beneath the main altar of what was later called the titulus Sanctae Caeciliae, which translates as “the church founded by a lady named Cecilia.” In 1599, during the renovation of the church, Cardinal Sfondrati opened her tomb and found her holy remains incorrupt. Even the green and gold of her rich robe had not been injured by time. Thousands had the privilege of seeing her in her coffin, and many have been blessed by miracles. The body disintegrated quickly after meeting with the air.

Under the high altar in Saint Cecilia’s Church is a beautiful marble statue by Maderna portraying the “martyr” bathed in her own blood as she fell after the stroke of the sword. A replica of this statue occupies the the original resting place of the saint in the catacomb of Callixtus. Other artists were allowed to paint pictures of her after her tomb was opened.

Until the middle ages, Pope Saint Gregory had been the patron of music and musicians, but when the Roman Academy of Music was established in 1584, it was put under the protection of Saint Cecilia; thus, her patronage of music originated. Dryden wrote a “Song for Saint Cecilia Day” and Pope an “Ode for Music on Saint Cecilia Day.”

Valerian, Tiburtius, and Maximus are historical characters; they were Roman martyrs, buried in the cemetery of Praetextatus, but nothing else is known of them. Her story was the basis for the Second Nun’s Tale in Chaucer’s Canterbury Tales.

St. Cecilia is regarded as the patroness of music [because of the story that she heard heavenly music in her heart when she was married], and is represented in art with an organ or organ-pipes in her hand.– From The Lives of the Saints by the Rev. S. Baring-Gould, M.A., published in 1914 in Edinburgh.

 

Dear Saint Cecilia, one thing we know for certain about you is that you became a heroic martyr in fidelity to your divine Bridegroom.

We do not know that you were a musician but we are told that you heard Angels sing.

Inspire musicians to gladden the hearts of people by filling the air with God’s gift of music and reminding them of the divine Musician who created all beauty.

Amen.

2011-08-31 Vatican Radio

On Wednesday Pope Benedict XVI challenged the men and women of today’s world to recover the deepest meaning of art, in its multitude of expressions, but particularly as the path of beauty which leads to God. And in doing so he also shared personal memories of how art had moved him to God with the five thousand pilgrims gathered for the general audience in the tiny village of Castel Gandolfo.

He said “On several occasions during this period, I have recalled the need for every Christian to find time for God, for prayer, amid the many occupations of our daily lives. The Lord Himself gives us many opportunities to remember Him. Today I will touch briefly on one of these channels that can bring us to God and also be of help in encountering Him: it is the path of artistic expression, part of that “path of Beauty “, of which I have spoken several times and which man today should recover in its deepest meaning”.

Pieta

Pope Benedict continued “perhaps sometimes, before a sculpture, a painting, a few verses of a poem or a song, you have experienced deep within an intimate emotion, a sense of joy, that is, you have clearly perceived that in front of you there was not only mere matter, a piece of marble or bronze, a painted canvas, a series of letters or a combination of sounds, but something bigger, something that speaks, capable of touching the heart, of communicating a message; of elevating the soul. ”

“Works of art are the fruit of human creativity, which question the visible reality, trying to discover its deep meaning and to communicate it through the language of shapes, colours, sounds.” The work of art, in short, “is an open door on the infinite,” which “opens the eyes of the mind, of the heart.”

However, he added, “there are artistic expressions that are true paths to God, the supreme Beauty, indeed they help nurture our relationship with Him in prayer. These are works that are born of faith and express faith. One example of this is when we visit a Gothic cathedral; we are enraptured by the vertical lines that shoot up towards the sky and draw our eyes and our spirits upwards, while at the same time, we feel small, and yet eager for fullness … Or when we enter a Romanesque church: we are spontaneously invited to recollection and prayer. We feel as if the faith of generations were enclosed in these splendid buildings. Or, when we hear a piece of sacred music that vibrates the strings of our heart, our soul expands and helped to turn to God. A concert of music by Johann

Conductor Leonard Bernstein

Sebastian Bach, in Munich, directed by Leonard Bernstein, again comes to my mind. Afterthe last piece of music, one of the Cantate, I felt, not by reasoning, but in my heart, that what I heard had conveyed to me truth, something of the truth of the great composer’s faith and this pressed me to praise and thank the Lord and beside me was the Lutheran Bishop of Munich and spontaneously, feeling this, I said to him, you know, its true, a faith and beauty so strong and irresistibly expresses the presence and truth of God”.

Pope Benedict then turned spoke of how certain artists have touched our lives : “How many times have paintings or frescoes, the fruit of the faith of the artist, in their forms, their colours, their light, encouraged us to direct our thoughts to God and nourished in us the desire to draw from the source of all beauty. What the great artist, Marc Chagall, once

Marc Chagall: Solitude

wrote remains true, that for centuries painters have dipped their paintbrush in that coloured alphabet that is the Bible. How many times, then can artistic expressions be occasions to remind us of God, to help our prayer or for the conversion of the heart! Paul Claudel, a poet, playwright, and French diplomat, in the Basilica of Notre Dame in Paris, in 1886, while he was listening to the singing of the Magnificat at Christmas Mass, felt God’s presence. He had not entered the church for reasons of faith, but to in search of arguments against Christians, and instead the grace of God worked in his heart”.

The Holy Father concluded: “I invite you to rediscover the importance of this path for prayer, for our living relationship with God. The cities and towns all over the world preserve works of art that express the faith and remind us of our relationship with God. Visiting places of art, it is not only an occasion for cultural

Vatican Museum

enrichment, but above all it can be a moment of grace, an encouragement to strengthen our relationship and our dialogue with the Lord, to stop and contemplate, in the transition from simple external reality to a deeper reality, the ray of beauty that strikes us, that almost wounds us in our inner selves and invites us to rise towards God. “

And then he greeted all English speaking pilgrims present: I am pleased to greet the English-speaking pilgrims and visitors here today, especially those from Scotland and Malta. Today we reflect on the need to draw near to God through the experience and appreciation of artistic beauty. Art is capable of making visible our need to go beyond what we see and it reveals our thirst for infinite beauty, for God. Dear friends, I invite you to be open to beauty and to allow it to move you to prayer and praise of the Lord. May Almighty God bless all of you!

I’ve heard it said that every Orthodox Christian home is encouraged to have an image of the Transfiguration. It’s such a powerful moment.
The video below is from  Sufjan Stevens. His song, called “The Transfiguration”, is put to famous works of art. Sufjan is very different in his styling. I find him very intriguing. You’ll find it different then the big Verdi-like orchestral “sacred” setting you may be expecting on this day. This piece of Sufjan’s music makes me stretch. And in some ways, wasn’t that the purpose of the day anyway? Expect the unexpected…

Content very good…music a little much, but it gives us a chance to offer it up…or turn it down